As I am one of those people celebrating the birth of a new year tonight, you'd think this would be a year wrap-up post, or a resolution post. It would be the thematic thing to do.
Maybe later.
My wonderful awesome parents got me the first two seasons of
Community for Christmas, and I have been blasting through the special features. The commentaries aren't really like any others I've heard before. They demand 80% of my attention instead of 50% (very, very few things in life get 100% of my attention), and the cast & crew have a strange dynamic for reasons I can't put my finger on.
But it's reaffirming one of the things I really love about the series, which is how savvy it is to social justice issues, and to an extent how seriously they take them. They do their best to be inclusive without getting into after-school special territory.
Which is not to say I always agree with the conclusions they reach or that they always get it right. Dan Harmon made a comment in one of the season 1 commentaries that is still irking me, about Danny Pudi being Indian/Polish but Abed being Palestinian/Polish. He gave the usual excuse of the realities of casting and sometimes the person who's perfect for the part doesn't always line up racially. Which is true, but the details of a character are not set in stone. There is nothing about Abed's character that
requires him to be of Palestinian descent; they could have very easily made the character Indian/Polish once they decided to cast Pudi. They could have easily kept all of Pierce's anti-Muslim racism - for one thing, there are Muslims in India, and for another many white Americans can't visually tell the difference between someone who is from India and someone who is from Palestine. (At least, I can't, and considering Pierce can't tell two black women apart, pretty sure he can't either)
So yeah, not buying that excuse, sorry. Especially when it's paired with "I'm sympathetic to your perceived dehumanization". "Perceived" has a kind of innate condescension to it, since the implication is "the way you see it is not reality". That's not exactly conducive to genuine sympathy.
But I do feel like I could plop down on a couch with them and have a fun, funny, intelligent discussion about these issues, which is not really a sense I get from any other show. (Not even my beloved
Parks & Recreation)
I also love how much they love their fans. The producer paid $35,000 out of his own pocket to license "Gravity" for the clip show episode, because he had seen a Jeff/Annie music video to it and that was the first time he had realized people really do watch and love the show. That made me go d'awwwww.
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Work also continues on "History Weighs In". I've kind of changed the breakdown of the first episode, on income inequality. I think I'm going to start with a discussion on Occupy Wall Street with Lucy Parsons, a badass socialist-anarchist. I've been reading some of her speeches and she's just amazing. I'm really looking forward to learning more about her.
Then I think it will be a moderated debate between Ronald Reagan and Joan Robinson, with Adam Smith possibly calling in like they do on radio shows, on taxes and regulation. I almost had it as a debate between Adam Smith and Joan Robinson, but I figured it was important to include at least one historical figure who you didn't have to take an advanced placement history class to know.
With my guests selected, I now have to just read. And read. And read and read and read.
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Considering the target demographic, I think it's downright idiotic to charge $40 just to
download a single season of
My Little Pony: Friendship is Magic. (Well, $30 for season 1 and $40 for season 2) If that was how much the box set with tons of special features cost, it would still be expensive but less of a rip-off.
I am peeved mostly because I've fallen so behind that they've taken a lot of the episodes I still haven't seen off the website, so I have no legal way of catching up without spending a week's worth of grocery money.
Dear Hub/iTunes: Your target demographic is not the 1%. You are marketing to the parents of small children and to people who are probably still paying off student loans. Please remember this when deciding how much you're going to charge.
This transitional period between old and new business models for the entertainment industry is a pain. With also some
deeply troubling elements, but in this circumstance, it's just a pain.